Taylor Guitars 414ce-R

Love is a Rose...Wood

Wildwoodians, we are proud to present you with a guitar that exemplifies the sonic virtues of both the Grand Auditorium body and rosewood and spruce: the 414ce-R. Spruce and rosewood are a classic combo, and they work wonders together in a Grand Auditorium guitar like this. It sounds rich and full, but it remains exceptionally articulate and well-sculpted. And, because it's a Taylor, it is as reliable and playable as can be. Let's take a closer look at the different factors that make it such a delightful instrument.

A Magnificent Workhorse

The 414ce-R's shape is the biggest reason why it's such an all-terrain vehicle. The Grand Auditorium body is particularly cool because it's a Taylor original without too many antecedents or influence from "traditional" acoustic guitar design. Size-wise, it lands somewhere between a dreadnought and a grand concert, so it is supremely comfortable to play. Being an in-betweener, it responds equally well to fingerstyle and pick playing. It captures all of the subtleties and nuances of the player's attack, yet it also sounds full and satisfying when you strum a big chord. And, it has Taylor's killer ES-2 pickup system, so you can be certain that you'll get excellent sound whether you're playing a solo set or a gig with a band.

Righteous Rosewood Tones

In the context of a Grand Auditorium body shape, rosewood and spruce make magic together. Rosewood produces beefy, piano-like bass response and sweet, glassy chiming highs. The spruce top produces strong midrange, and it has an excellent balance between the fundamental and harmonic overtones. In a large-bodied guitar like a dreadnought, this combo produces rich, room-filling resonance. However, the smaller Grand Auditorium body gives the sound more shape and definition. The guitar still sounds full-bodied and robust, but it has excellent clarity and balance. And, its articulate voice captures the details of your attack with exceptional fidelity. So, for players seeking unmatched versatility and a rich sound, the 414ce-R will get the job done.

A V-Classic

We can't talk about balanced sound without talking about Taylor's new V-Class bracing. It's an elegant solution to a problem that has plagued luthiers for decades. For years, acoustic guitar builders had to compromise between volume and sustain. Flexibility equals volume, and stiffness equals sustain. Obviously, a piece of wood cannot be rigid and flexible at the same time, so builders had to go for one or the other.

Andy Powers wanted to have his cake and eat it, too. After much tinkering, V-Class bracing was his elegant solution to the problem that has plagued luthiers for centuries. As the name implies, V-Class bracing features two long pieces of wood that make a "V" shape together. The bracing is quite thin and flexible near the rear bout, but it becomes thicker as you get closer to the soundhole.

So, you get volume from the flexible parts of the bracing, and sustain from the rigid parts! Many areas of the guitar neck that typically sound weak (ninth fret on the G string, for instance) have just as much presence, resonance, and sustain as the low E. As a result, the 414ce-R sounds supremely balanced and sculpted. When you hear one played live in the room, you'd swear a mix engineer had already done a bunch of post-production work on it. And, it gives the guitar piano-like note separation and crystalline clarity even when you play fancy jazz chords!

Intonation Station

V-Class bracing also does wonders for the guitar's intonation. Are you ready to have your mind blown? When I visited the Taylor headquarters in El Cajon, Andy Powers explained that an acoustic guitar's intonation is not necessarily just the sum of the typical adjustments like saddle height, nut slots, and neck angle (though they do play a part). The way that the actual guitar itself vibrates also has a lot to do with how in-tune it sounds.

Andy told me to picture it like this: when you take close-up slow-motion footage of a guitar's top with a high-speed camera as someone plays it, you can see the top move vividly. On a traditional X-braced guitar, the top vibrates in a disorderly, disjointed manner. This can cause a guitar with perfect saddle height and neck angle to sound out of tune when you play a big open chord.

By contrast, guitars with V-Class bracing vibrate in a much more orderly manner. The graduated braces compel the energy from the player's attack to move from the thin outer part of the bracing to the thicker inner part in an efficient manner. If you were to take a high-speed shot of a V-Class top, you would see it rock back and forth evenly in a pleasing pattern. Because of that V-Class magic, the 414ce-R sounds so in tune that it's scary.

A Rose(wood) By Any Other Name

Few guitars sound as sweet as the 414ce-R. It is a true powerhouse, and we have no doubt that its articulate yet rich voice and supreme playability will inspire you to reach new heights on your fretboard journey. We invite you to take one for a spin and experience the myriad sonic delights it has to offer. Once you do, we're confident it will inspire you to make lots of joyous noise.