Sonic Evaluation
Urban ash is a superb tonewood, and this limited edition 424ce is an excellent example of its many charms. It sounds somewhat similar to Honduran mahogany, and it produces a stunningly powerful warm, woody fundamental tone. However, it also has magnificent clarity, string separation, and balance. Its transparency is marvelous too--every detail of every chord comes through with crystalline fidelity. Of course, above those beautiful round, punchy fundamental tones, you get that signature gorgeous Taylor sparkle. Overall, on the spectrum of bright to warm, it sits somewhere near the middle with a toe on the bright side, giving it a sunny voice that brings a smile to my face.
I enjoyed this guitar as a strummer and a fingerstyle guitar, so it's ready to be your workhorse
Read More...Sonic Evaluation
Urban ash is a superb tonewood, and this limited edition 424ce is an excellent example of its many charms. It sounds somewhat similar to Honduran mahogany, and it produces a stunningly powerful warm, woody fundamental tone. However, it also has magnificent clarity, string separation, and balance. Its transparency is marvelous too--every detail of every chord comes through with crystalline fidelity. Of course, above those beautiful round, punchy fundamental tones, you get that signature gorgeous Taylor sparkle. Overall, on the spectrum of bright to warm, it sits somewhere near the middle with a toe on the bright side, giving it a sunny voice that brings a smile to my face.
I enjoyed this guitar as a strummer and a fingerstyle guitar, so it's ready to be your workhorse musical ATV! Urban ash doesn't quite sound like anything else out there, so this guitar has a fresh, exciting voice that will inspire you along your musical journeys.
A Magnificent Workhorse
The 424ce LTD's shape is another reason why it's such an all-terrain vehicle. The Grand Auditorium body is particularly cool because it's a Taylor original without too many antecedents or influence from "traditional" acoustic guitar design. Size-wise, it lands somewhere between a dreadnought and a grand concert, so it is supremely comfortable to play. Being an in-betweener, it responds equally well to fingerstyle and pick playing. It captures all of the subtleties and nuances of the player's attack, yet it also sounds full and satisfying when you strum a big chord. And, it has Taylor's killer ES-2 pickup system, so you can be certain that you'll get excellent sound whether you're playing a solo set or a gig with a band.
A V-Classic
We can't talk about balanced sound without talking about Taylor's new V-Class bracing. It's an elegant solution to a problem that has plagued luthiers for decades. For years, acoustic guitar builders had to compromise between volume and sustain. Flexibility equals volume, and stiffness equals sustain. Obviously, a piece of wood cannot be rigid and flexible at the same time, so builders had to go for one or the other.
Andy Powers wanted to have his cake and eat it, too. After much tinkering, V-Class bracing was his elegant solution to the problem that has plagued luthiers for centuries. As the name implies, V-Class bracing features two long pieces of wood that make a "V" shape together. The bracing is quite thin and flexible near the rear bout, but it becomes thicker as you get closer to the soundhole.
So, you get volume from the flexible parts of the bracing, and sustain from the rigid parts! Many areas of the guitar neck that typically sound weak (ninth fret on the G string, for instance) have just as much presence, resonance, and sustain as the low E. As a result, the 424ce LTD sounds supremely balanced and sculpted. When you hear one played live in the room, you'd swear a mix engineer had already done a bunch of post-production work on it. And, it gives the guitar piano-like note separation and crystalline clarity even when you play fancy jazz chords!
Intonation Station
V-Class bracing also does wonders for the guitar's intonation. Are you ready to have your mind blown? When I visited the Taylor headquarters in El Cajon, Andy Powers explained that an acoustic guitar's intonation is not necessarily just the sum of the typical adjustments like saddle height, nut slots, and neck angle (though they do play a part). The way that the
actual guitar itself vibrates also has a lot to do with how in tune it sounds.
Andy told me to picture it like this: when you take close-up slow-motion footage of a guitar's top with a high-speed camera as someone plays it, you can see the top move vividly. On a traditional X-braced guitar, the top vibrates in a disorderly, disjointed manner. This can cause a guitar with perfect saddle height and neck angle to sound out of tune when you play a big open chord.
By contrast, guitars with V-Class bracing vibrate in a much more orderly manner. The graduated braces compel the energy from the player's attack to move from the thin outer part of the bracing to the thicker inner part in an efficient manner. If you were to take a high-speed shot of a V-Class top, you would see it rock back and forth evenly in a pleasing pattern. Because of that V-Class magic, the 424ce LTD sounds so in-tune that it's scary.
Condition Report
This gently-used Taylor 424ce LTD is in fantastic shape with no cosmetic flaws to report, perfect-looking frets, and it comes with its original hardshell case!
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