Taylor Guitars 324

Munificent Mahogany Tones

Taylor's glorious Grand Auditorium guitars are do-it-all workhorses, and the Taylor 324 is a shining example of this Swiss Army Knife functionality. For players that desire a warmer, woodier midrange-forward voice along with supreme playability and dependability, it doesn't get much better than this! By putting a new twist on a classic tonewood combo in a versatile body shape, our friends at Taylor have produced a player's guitar that will handle just about anything you throw at it. So, let's dive deeper and see why the 324 excels in just about any musical context!

A Magnificent Workhorse

The 324's shape is the biggest reason why it's such an all-terrain vehicle. The Grand Auditorium body is particularly cool because it's a Taylor original without too many antecedents or influence from "traditional" acoustic guitar design. Size-wise, it lands somewhere between a dreadnought and a grand concert, so it is supremely comfortable to play. Being an in-betweener, it also has a stronger midrange presence, and it responds equally well to fingerstyle and pick playing. It captures all of the subtleties and nuances of the player's attack, yet it also sounds full and satisfying when you strum a big chord.

Munificent Mahogany Tones

The sonic engineers at Taylor have tweaked the classic mahogany tone formula ever so slightly to give the 324 a fresh, exciting voice. All-mahogany guitars have been around for at least a century, and for good reason. Mahogany's exceptional warmth, midrange punching power, and natural musical compression have the power to captivate players looking for earthy-sounding acoustic tone. The 324 has a mahogany top, and it certainly exhibits all of these characteristics in spades. However, it does have some of that inimitable Taylor top-end sparkle, too! All in all, it makes for a supremely balanced, warm, woody-sounding guitar with excellent clarity.

A V-Classic

We can't talk about balanced sound without talking about Taylor's new V-Class bracing. It's an elegant solution to a problem that has plagued luthiers for decades. For years, acoustic guitar builders had to compromise between volume and sustain. Flexibility equals volume, and stiffness equals sustain. Obviously, a piece of wood cannot be rigid and flexible at the same time, so builders had to go for one or the other.

Andy Powers wanted to have his cake and eat it, too. After much tinkering, V-Class bracing was his elegant solution to the problem that has plagued luthiers for centuries. As the name implies, V-Class bracing features two long pieces of wood that make a "V" shape together. The bracing is quite thin and flexible near the rear bout, but it becomes thicker as you get closer to the soundhole.

So, you get volume from the flexible parts of the bracing, and sustain from the rigid parts! Many areas of the guitar neck that typically sound weak (ninth fret on the G string, for instance) have just as much presence, resonance, and sustain as the low E. As a result, the 324 sounds supremely balanced and sculpted. When you hear one played live in the room, you'd swear a mix engineer had already done a bunch of post-production work on it. And, it gives the guitar piano-like note separation and crystalline clarity even when you play fancy jazz chords!

Intonation Station

V-Class bracing also does wonders for the guitar's intonation. Are you ready to have your mind blown? When I visited the Taylor headquarters El Cajon, Andy Powers explained that an acoustic guitar's intonation is not necessarily just the sum of the typical adjustments like saddle height, nut slots, and neck angle (though they do a play a part). The way that the actual guitar itself vibrates also has a lot to do with how in-tune it sounds.

Andy told me to picture it like this: when you take close-up slow-motion footage of a guitar's top with a high-speed camera as someone plays it, you can see the top move vividly. On a traditional X-braced guitar, the top vibrates in a disorderly, disjointed manner. This can cause a guitar with the perfect saddle height and neck angle to sound out of tune when you play a big open chord.

By contrast, guitars with V-Class bracing vibrate in a much more orderly manner. The graduated braces compel the energy from the player's attack to move from the thin outer part of the bracing to the thicker inner part in an efficient manner. If you were to take a high-speed shot of a V-Class top, you would see it rock back and forth evenly in a pleasing pattern. Because of that V-Class magic, the 324 sounds so in-tune that it's scary.

An All-Terrain Tone Machine

Wildwood Guitars is proud to showcase the Taylor 324, a guitar that we believe provides inspiring tone, supreme playability, and world-beating versatility at an incredible value. We know it will be a steadfast companion as you embark on your acoustic adventure, and we can't wait to see what ways you find to use the ultimate acoustic Swiss Army knife.