{"title":"Featured Guitars","description":"","products":[{"product_id":"original-collection-les-paul-standard-50s-custom-shop-top-261","title":"Original Collection Les Paul Standard '50s Custom Shop Top","description":"\u003ch2\u003eSitting On Top of the World\u003c\/h2\u003e\n\nWildwoodians, we are loath to contradict AC\/DC, but it is NO LONGER a long way to the top if you wanna rock and roll, as long as the top you are seeking is made of exquisite maple. That's right-our friends at Gibson are building souped-up USA Les Pauls with jaw-dropping, outlandishly beautiful tops from the Custom Shop wood vault! If you let out a Ric Flair-esque \"WOOOOOOOOO\" upon learning that information, you're not alone, as there was much yelling, screaming, and open joyous weeping around the shop when we learned Gibson was building these bad boys. You see, a Custom Shop top on a USA instrument is simply unprecedented, and we love firsts here at Wildwood. \n\n\n\nWe also love pickups with serious vintage PAF vibes, sweet finishes, uber-comfy necks, and (of course) gorgeous wood. Naturally, we're as hyped about these guitars as Pete Townshend is about performing windmills during \"Won't Get Fooled Again,\" so let's dive deeper and see what makes the Original Collection Les Paul Standard Custom Shop Top so special! \n\n\n\n\u003ch3\u003eCustom Shop Magic\u003c\/h3\u003e\n\nOf course, the magic of these guitars starts with the top. Though beauty is self-explanatory (take a look to the left of this text and all will be revealed!),  let's try to explain it anyway. The tops the Gibson Custom Shop uses may be from the same species of maple as their counterparts, but they're a different breed nonetheless. Though they do meet a sky-high standard for quality figuring, what really sets them apart is their uniqueness. They're like snowflakes, no two exactly the same, each pattern of flame in the grain a sentence in a different musical story. Each one has its own personality and style, so you can find a Les Paul Custom Shop Top that reflects who you are as a player and person, and that is the true magic of Custom Shop maple! \n\n\n\n\u003ch3\u003ePugnacious PAF-Style Pickups\u003c\/h3\u003e\n\nThough the Original Collection Les Paul Custom Shop Top is a guitar of uncommon beauty, there's nothing worse than a pretty face with nothing to say. Thankfully, they come equipped with pickups that help them speak quite eloquently and powerfully: two Wildwood Spec '59 Tribute Humbuckers. \n\n\n\nThese pickups capture the mojo and tone of vintage Gibsons beautifully. They have enough power, brawn and gristle to storm the gates of Valhalla, but they also display outstanding touch-sensitivity and a tremendous capacity for subtlety and nuance. Played clean, they create a beautiful world of warmth and sparkle that's easy to get lost in. Played dirty, they make you feel like you're crushing a 1992 Honda Civic in a monster truck! \n\n\n\nThe bridge pickup is a delight: punchy with plenty of snarl in the midrange, tight, muscle-bound low-end and sizzling-sweet highs. In the neck position, you'll find deep, warm, woody lows along with broad, vocal midrange and singing highs. These are the kinds of sounds that make you remember why you fell in love with Gibsons in the first place, and their capacity for musical inspiration is boundless. \n\n\n\n\u003ch3\u003eFabulous Fifties Flavor\u003c\/h3\u003e\n\nThis particular Les Paul Standard Custom Shop Top is a '50s-inspired model, which means it comes with some pretty nifty appointments. It has a fifties-style neck profile that feels pleasantly chunky but not too thick, and it's a joy to play. It also has vintage-style tuners with keystone buttons and top hat knobs to complete the vintage aesthetic. \n\n\n\n\u003ch3\u003eTop-to-Bottom Excellence\u003c\/h3\u003e\n\nWe're proud and excited to share the Original Collection Les Paul Standard Custom Shop Top with all of you wonderful Wildwoodians. We believe their powerful pickups, beautiful finishes, comfy necks, and magic maple tops will inspire you to embark on all sorts of exciting musical adventures on your journeys across their fretboards.","brand":"Gibson","offers":[{"title":"Default Title","offer_id":51216812769555,"sku":"226840261","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/226840261_lg1.jpg?v=1749550191"},{"product_id":"wildwood-spec-1961-les-paul-sg-standard-gloss-3","title":"Wildwood Spec 1961 Les Paul SG Standard - Gloss","description":"\u003ch2\u003eThe Wildwood Spec SG: A True Sonic Titan\u003c\/h2\u003e\n\nIf it weren't for the Gibson SG, I sincerely doubt I'd be sitting here writing words for all you lovely people of the Wildwoodiverse to read about our Wildwood Spec SGs. Like many guitar nerds, I had no choice but to give my life to rock and roll after I heard the proverbial One Guitar; in my case, it was Angus Young's SG. Once my dad played me Back in Black when I was six, it was all over. It probably had something to do with the riffs (AC\/DC \u003cem\u003edoes\u003c\/em\u003e know a thing or two about songwriting), but the SG's tone and appearance have always spoken to me on an elemental level.\n\n\n\nThough it has plenty of muscle, it sounds less like a bodybuilder and more like a scary dude in a leather jacket picking his teeth with a switchblade. And, it has a sensitive side. Though there's an exciting rawness and attitude to the SG's sound, it never loses its inherent woody warmth. It may be raw, but it has plenty of range. So, in Tommy Iommi's hands, the SG snarls like a hellhound. In Derek Trucks's hands, the SG cries like a female blues singer from the Delta circa 1927. What's the common thread? Both players aim to bottle raw, intense emotion with their playing, and the SG is the perfect instrument for the job.\n\n\n\nBecause the SG wears its heart on its horns, it's a guitar that I love deeply, and the Wildwood Spec version is my personal favorite example of the model. We'll get to tech specs later, but I want to help you understand the deeper reasons why Wildwood Spec SGs are such wonderful instruments, the ones that go beyond fret size and pickup output. The SG is so deeply intertwined with my life and my musical journey that I need to tell part of my own story to properly tell the story of the Wildwood Spec SG. If you just want to hear about the nuts and bolts of these mahogany-bodied monsters, feel free to skip ahead to the second-to-last header. But, it's a compelling story-I promise.\n\n\u003ch3\u003eMy Solid Guitar Story\u003c\/h3\u003e\n\nThe SG seems to pull raw, unadulterated, pure music out of people, and that's why I bought one before I moved to Colorado four years ago. At that point, I had mostly given up on music after joint problems made playing nearly impossible. Though my body had recovered, the creative spark was gone. I still loved listening to music, but I didn't really feel any desire to play. I had read a biography of jazz saxophonist Sonny Rollins, and one of his favorite pieces of advice for aspiring musicians stuck with me: if you don't hear music in your head, don't pick up your instrument. That seemed reasonable to me, and since I didn't hear anything, I stopped playing. Better to sit in silence than hear myself going through the motions.\n\n\n\nOf course, I missed playing the guitar, but it was a peculiar sort of ache, like an amputee pining for a phantom limb. From time to time, I'd pull my guitar out of the case to see if the magic came back, but it never did. I never stopped wanting it to return, though.\n\n\n\nSo, before I left home for Denver, I decided to make one last effort to summon that spark of creative energy. I figured that if I got myself an awesome guitar, it might at least inspire me to noodle more, and if I noodled more, maybe I'd start to hear notes in my head again. After roughly 2.5 seconds' worth of consideration, I knew the guitar had to be an SG. I had some practical reasons (they're versatile enough to excel in just about any genre, they're lightweight, the neck is comfortable) and some not-so-practical (it has horns, and pointy guitars are cool). But mostly, I was hoping that the SG's raw, direct personality would pull some music out of me.\n\n\n\nIt didn't happen overnight. I decided to learn every Black Sabbath riff in chronological order starting with the eponymous track on their self-titled first record. At first, it was a workmanlike endeavor. I put my fingers where they were supposed to be, and the correct sounds came out of my amplifier at the right times.\n\n\n\nBut, as I worked my way through more tunes on that Pelham Blue SG, I began to remember the elemental joy of making music again. I could feel the guitar pulling the visceral rock and roll energy out of me like a mahogany magnet as I ran through tunes like Into the Void and Behind the Wall of Sleep. By the time I finished up Masters of Reality, I decided to bring my grand quest for ultimate Sabbathian scholarship to a premature end because I was having more fun coming up with my own heavy riffage.\n\n\n\nAfter a few months of basement jamming, I realized that it was silly to keep my SG all to myself. So, I started jamming with people for the first time in years. Those jams quickly turned into band practices, and there was no looking back. I was playing constantly. Though I've since moved back to my first love, bass guitar (and everyone who ever heard me play guitar uttered a collective sigh of relief when I did so), the music has returned to my brain. When I'm not writing about guitars for Wildwood, I'm at band practice. I play in three bands, and I keep threatening to start a fourth.\n\n\n\nWould all of this have happened if I had gotten, say, a Telecaster instead of an SG? Almost certainly, because things don't change you-you change you. I went looking for the music in my head, and that's why I found it. But, things like guitars can be useful tools on journeys through the dark parts of life. I simply chose the SG as my tool. SGs have had a sympathetic resonance with my heartstrings ever since.\n\n\u003ch3\u003eLove at First Strum\u003c\/h3\u003e\n\nHow perfect would it be if the tool I'm talking about was a Wildwood Spec SG? Alas, life isn't a movie. I didn't play a Wildwood Spec SG until three years after my move when I started working at Wildwood. I distinctly remember plugging in a VOS model with a natural finish, playing a few doodles around the ninth fret with the open A string ringing, and immediately getting choked up.\n\n\n\nThat might seem like a strange response to a couple licks in A major, but (as I've spent the last thousand words telling you) SGs are special to me, and the sounds coming out of the speaker cone at that moment were such a perfect example of the tone that has inspired me for my whole musical life that my emotions overcame me for a moment. It was like stepping into one of my favorite records in real-time. For someone who loves Gibson SGs as much as I do, playing a Wildwood Spec edition is truly a magical experience.\n\n\n\nWhen I did a write-up on that guitar for the website, I believe I said that it was \"the platonic ideal of an SG.\" Since then, dozens of Wildwood Spec SGs have passed through my hands, and I am pleased to say that my initial impression is still correct. Though each guitar has had a distinctive personality, they all sounded iconic in their own way and played like butter.\n\n\u003ch3\u003eThe Source of the Sonic Sauce\u003c\/h3\u003e\n\nSo, why do so many inspiring sounds come out of Wildwood Spec SGs so consistently? The answer is rather simple: the wizards and warlocks at the Gibson Custom Shop find the best raw materials they can and assemble them with incredible skill, care, and precision. They start with a resonant slab of mahogany, which automatically gives the guitar a woody, warm, midrange-forward voice while also enhancing responsiveness. Then, they attach a mahogany neck to the body using hide glue.\n\n\n\nMaking instruments with hide glue is an old-world manufacturing process that requires incredible skill and patience, but it pays incredible dividends for the instrument's voice. Because it's a protein-based adhesive, it promotes the greatest possible amount of energy transfer between pieces of wood. That gives the guitar excellent resonance and sustain. After slapping on a sweet-sounding rosewood fretboard with more hide glue, the skeleton is complete.\n\n\n\nTo complete the package, our friends drop in a couple Wildwood Spec Custombuckers, which sound magnificent. Gibson based them off some of our favorite old PAFs, and they did a bang-up job of recreating that fabled vintage magic. The highs sing, the mids are punchy, and the lows are warm and woody, and overall they are quite dynamic and expressive.\n\n\n\nThe Wildwood Spec SG is a simple guitar built to perfection by some of the most skilled craftsmen in the world, and that's why they sound good enough to make a grown man get emotional in the middle of a loud, frenetic guitar store. The entire Wildwood team is proud to showcase them for all you Wildwoodians traversing the Wildwoodiverse, and I hope they bring you as much joy as they bring me.","brand":"Gibson Custom Shop","offers":[{"title":"Default Title","offer_id":51955365511443,"sku":"501181","price":5749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/501181_lg1.jpg?v=1750655704"},{"product_id":"1963-firebird-v-ultra-light-aged-6","title":"1963 Firebird V - Ultra Light Aged","description":"\u003cp\u003eWhen Gibson hired famed automotive designer Ray Dietrich to create a radical new solid body guitar, rock 'n roll history ensued. With its offset shape, neck-through construction, and scorching mini-humbuckers, the '63 Firebird V became an instant classic. The Gibson Custom Shop is proud to present this exacting replica of a vintage original, which uses authentic contours, dimensions and construction methods for an incredible ownership and playing experience. It features Light Aging by the skilled artisans of the Murphy Lab. The Murphy Lab Light Aged finish treatment, paired with lightly aged hardware, simulates decades of natural play wear, giving it the unique character, vibe, and feel of an original example from the Gibson Golden Era.\u003c\/p\u003e","brand":"Gibson Custom Shop","offers":[{"title":"Default Title","offer_id":52069266653459,"sku":"502093","price":7599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/502093_lg1.jpg?v=1752561470"},{"product_id":"wildwood-spec-1960-les-paul-standard-light-aged-bigsby-2","title":"Wildwood Spec 1960 Les Paul Standard - Light Aged, Bigsby","description":"\u003ch2\u003eThe Marvels of the Murphy Lab\u003c\/h2\u003e\n\nThere are 7.764 billion people on this beautiful ball of water and dirt that we call home, and hardly any of them know Gibson guitars better than Tom Murphy. Tom is a legend in the world of guitars, and instruments bearing his name have acquired a deservedly sterling reputation due to their outstanding tone, jaw-dropping looks, and stunning vintage accuracy. But, he wasn't always a rockstar of lutherie. In fact, he worked as a professional touring musician for many years, and during that time he became intimately acquainted with vintage guitars: how they sound, how they feel, and how they look. After deciding to stop touring, Tom got a job as a finish specialist at Gibson and eventually became a project manager in charge of the first reissues of the 1959 Les Paul standard.\n\n\n\nFor a while, Tom also gained valuable experience working as a luthier to the stars, and his client list included luminaries like Jimmy Page, Dickey Betts, Joe Perry, Billy Gibbons, Eric Clapton, Peter Frampton, and Gary Rossington.\n\n\n\nNow, things have come full circle, and our friends at Gibson have handed Tom the keys to a brand-new institution of sonic savagery within the Gibson Custom Shop: the Murphy Lab. Tom and his team of skilled craftspeople have one mission, and one mission only: to create the most ridiculously awesome recreations of vintage Gibson guitars that the world has ever seen.\n\n\u003ch2\u003eStep Into the Lab\u003c\/h2\u003e\n\nMurphy Lab is aptly named because it is basically the musical equivalent of what happens when you give a mad scientist a laboratory fully stocked with warp drives and flux capacitors. With a plethora of resources behind them, Tom and his team have been able to create guitars that are essentially carbon copies of vintage Gibsons. They look, feel, and sound so close to the originals that it's downright scary.\n\n\n\nHow do Tom and his team achieve such unparalleled vintage accuracy? Well, first off, Tom has discovered a brand-new formula for nitrocellulose lacquer for aged guitars that mimics the properties of 1950s and '60s finishes to a T. Thanks to this thinner finish, aged Murphy Lab guitars look like authentic vintage pieces. They don't just look the part--they are the real McCoy!\n\n\n\nOf course, the heart of the Murphy Lab is the aging process. Part of what made Tom a legend was his ability to replicate the natural wear and tear found on distressed vintage instruments by hand-aging brand-new instruments. With his practiced eye and skilled hands, Tom artfully mimicked the finish and feel of old guitars, and he has imparted his skills to the talented team at the Murphy Lab.\n\n\n\nThough Tom may not age each and every guitar himself, he has done a bang-up job of teaching his team the Way of Murphy, and they do a marvelous job of replicating his masterful work. As a result, each guitar looks like it came out of a time machine and feels like your favorite worn-in pair of blue jeans.\n\n\u003ch2\u003eA '60 That Slays\u003c\/h2\u003e\n\nThis particular Murphy Lab marvel is a reissue of 1960 Les Paul, a highly sought-after guitar that marked the final year of the Les Paul's original production run. Throughout rock and roll history, players have gravitated towards the '60 Les Paul because of its slim, uber-fast neck profile and stylish looks. This model captures the thrill of playing a real '60 LP with its period-correct cosmetic appointments and superb electronics, and it delivers an absolutely marvelous playing experience.\n\n\u003ch2\u003eWildwood Spec-Tacular\u003c\/h2\u003e\n\nBecause our friends at Gibson are the coolest people ever, they were kind enough to allow us to have exclusive Wildwood Spec Murphy Lab guitars. Basically, these guitars receive a little bit of extra fairy dust in the build process that makes them a bit more magical. All tops are hand-picked for exceptional beauty, and they are so beautiful that the cases should probably come with a built-in drool shield!\n\n\n\nBut, they're not just pretty faces: they're also absolute sonic titans thanks to their pickups. Each one of these guitars comes equipped with Wildwood Spec Custombuckers, and they (to use a very scientific term) totally rule. They are brimming with vintage flavor, and they capture the sound of an old PAF beautifully. The fine folks who make Gibson's pickups also added a little bit of extra secret sauce that improves their articulation, dynamism, and clarity, too. As a result, these pickups translate the subtleties and nuances of your playing so well that the guitar almost feels like an extension of your hands.\n\n\n\nWe have no doubt that these Wildwood Spec Murphy Lab guitars will bring you a lifetime of musical delight. They look gorgeous, they sound titanic, and they feel like an old friend you've never met. We hope you love them as much as we do, and we hope they inspire you to make a joyous racket for a long time.","brand":"Gibson Custom Shop","offers":[{"title":"Default Title","offer_id":52392542142739,"sku":"05341","price":9699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/05341_lg1.jpg?v=1758358594"},{"product_id":"gretsch-masterbuilt-g6128cs-62-duo-jet","title":"Masterbuilt G6128-CS 1962 Double Cut Duo Jet by Gonzalo Madrigal - Relic","description":"\u003ch2\u003eMasterbuilt Magic\u003c\/h2\u003e\n\u003cp\u003eWhen a master craftsman builds an instrument by hand all by themselves from start to finish, it imbues the instrument with a special brand of magical mojo that is easy to see, hear, and feel but hard to quantify. They reflect the individual personality of the builder so much that they attain distinctly human quality that makes them feel like an old friend from the moment you pick them up. It's almost as if they have souls of their own, and nowhere is this soulfulness more evident than in our collection of Fender Masterbuilt instruments.\u003c\/p\u003e\n\u003cp\u003eEach of the instruments you see on this page is the product of decades of hard work and an endless supply of passion. The people who currently hold the title of Masterbuilder under the Fender\/Gretsch umbrella have all spent years learning the ropes from the masters that came before them until they climbed the ranks and reached the upper echelon of elite guitar builders. They are some of the most adept craftspeople in the industry, and their skilled hands imbue the instruments they build with the sort of dynamic response and expressiveness that you normally only find in vintage instruments.\u003c\/p\u003e\n\u003cp\u003eThis guitar has been built to the exacting standards of some of the most meticulous craftspeople in the world, and it has a heart and soul that reflects the personality of the builder, Gonzalo Madrigal. We're proud to present this Masterbuilt Gretsch, and we know its timeless tone and superior playability will provide you with years and years of musical joy.\u003c\/p\u003e","brand":"Gretsch","offers":[{"title":"Default Title","offer_id":52890457538835,"sku":"UC25113958","price":6080.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/uc25113958_lg1.jpg?v=1774555489"},{"product_id":"96230-murphy-lab-wildwood-spec-1959-les-paul-standard-ultra-light-aged-brazilian-rosewood","title":"Murphy Lab Wildwood Spec 1959 Les Paul Standard - Ultra Light Aged, Brazilian Rosewood","description":"\u003ch2\u003eThe Marvels of the Murphy Lab\u003c\/h2\u003e\n\nThere are 7.764 billion people on this beautiful ball of water and dirt that we call home, and hardly any of them know Gibson guitars better than Tom Murphy. Tom is a legend in the world of guitars, and instruments bearing his name have acquired a deservedly sterling reputation due to their outstanding tone, jaw-dropping looks, and stunning vintage accuracy. But, he wasn't always a rockstar of lutherie. In fact, he worked as a professional touring musician for many years, and during that time he became intimately acquainted with vintage guitars: how they sound, how they feel, and how they look. After deciding to stop touring, Tom got a job as a finish specialist at Gibson and eventually became a project manager in charge of the first reissues of the 1959 Les Paul standard.\n\n\n\nFor a while, Tom also gained valuable experience working as a luthier to the stars, and his client list included luminaries like Jimmy Page, Dickey Betts, Joe Perry, Billy Gibbons, Eric Clapton, Peter Frampton, and Gary Rossington (fun fact: he brought Peter Frampton's iconic Les Paul Custom back from the dead after it had been resting in pieces in the debris of a crashed cargo plane for three decades!).\n\n\n\nNow, things have come full circle, and our friends at Gibson have handed Tom the keys to a brand-new institution of sonic savagery within the Gibson Custom Shop: the Murphy Lab. Tom and his team of skilled craftspeople have one mission, and one mission only: to create the most ridiculously awesome recreations of vintage Gibson guitars that the world has ever seen.\n\n\n\n\u003ch2\u003eStep Into the Lab\u003c\/h2\u003e\n\nMurphy Lab is aptly named because it is basically the musical equivalent of what happens when you give a mad scientist a laboratory fully-stocked with warp drives and flux capacitors. With a plethora of resources behind them, Tom and his team have been able to create guitars that are essentially carbon copies of vintage Gibsons. They look, feel, and sound so close to the originals that it's downright scary.\n\n\n\nHow do Tom and his team achieve such unparalleled vintage accuracy? Well, first off, Tom has discovered a brand-new formula for nitrocellulose lacquer to use on aged guitars that mimics the properties of 1950s and '60s finishes to a T. Thanks to this thinner finish, aged Murphy Lab guitars look like authentic vintage pieces. They don't just look the part--they are the real McCoy!\n\n\n\nOf course, the heart of the Murphy Lab is the aging process. Part of what made Tom a legend was his ability to replicate the natural wear and tear found on distressed vintage instruments by hand-aging brand-new instruments. With his practiced eye and skilled hands, Tom artfully mimicked the finish and feel of old guitars, and he has imparted his skills to the talented team at the Murphy Lab.\n\n\n\nThough Tom may not age each and every guitar himself, he has done a bang-up job of teaching his team the Way of Murphy, and they do a marvelous job of replicating his masterful work. As a result, each guitar looks like it came out of a time machine and feels like your favorite worn-in pair of blue jeans.\n\n\n\n\u003ch2\u003eA Divine Fifty-Nine\u003c\/h2\u003e\n\nThis particular magical Murphy is a reissue of the 1959 Les Paul Standard, one of the most iconic guitars in musical history. In the hands of a plethora of players, the '59 Les Paul provided the sonic backbone for dozens and dozens of classic records. It's easy to see why it's so widely sought-after, too. In 1959, Gibson started using stunning flamed maple for the tops and set the gold standard for style in the world of guitars. They also slimmed the neck down some to create more of a medium C profile, and many players fell in love with its feel because it sat squarely in the Goldilocks Zone: not too fat and not too slim. All of these features are present on this gorgeous Murphy Lab '59 Les Paul, and we have no doubt it will inspire you to make a joyous racket for a long, long time.\n\n\n\n\u003ch2\u003eWildwood Spec-Tacular\u003c\/h2\u003e\n\nBecause our friends at Gibson are the coolest people ever, they were kind enough to allow us to have exclusive Wildwood Spec Murphy Lab guitars. Basically, these guitars receive a little bit of extra fairy dust in the build process that makes them a bit more magical. All tops are hand-picked for exceptional beauty, and they are so beautiful that the cases should probably come with a built-in drool shield!\n\n\n\nBut, they're not just pretty faces: they're also absolute sonic titans thanks to their pickups. Each one of these guitars comes equipped with Wildwood Spec Custombuckers, and they (to use a very scientific term) totally rule. They are brimming with vintage flavor, and they capture the sound of an old PAF beautifully. The fine folks who make Gibson's pickups also added a little bit of extra secret sauce that improves their articulation, dynamism, and clarity, too. As a result, these pickups translate the subtleties and nuances of your playing so well that the guitar almost feels like an extension of your hands.\n\n\n\nWe have no doubt that these Wildwood Spec Murphy Lab guitars will bring you a lifetime of musical delight. They look gorgeous, they sound titanic, and they feel like an old friend you've never met. We hope you love them as much as we do, and we hope they inspire you to make lots of joyous racket for a long time.","brand":"Gibson Custom Shop","offers":[{"title":"Default Title","offer_id":53850785415443,"sku":"96230","price":12999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/96230_lg1.jpg?v=1771560982"},{"product_id":"wwconrkrj5897-vintage-1978-4080-double-neck","title":"Vintage 1978 4080 Double Neck - Bass and Guitar","description":"\u003ch2\u003eCondition Report\u003c\/h2\u003e\n\u003cp\u003eThis Rickenbacker 4080 is an absolute hoss, and a rare beast at that! You don't see too many doubleneck Ricks, and this one is in a pretty rare finish. It sounds amazing, and it's quite clean, although it has had a few modifications over the years. The finish looks great, showing some wear from normal use, nicks, scratches, dings, and chips with a crack in the pickguard, but far less than you'd expect for a guitar of this vintage. \u003c\/p\u003e\n\u003cp\u003eThere's also some light fretwear on both necks, and the hardware has tarnished a little. A previous owner installed 3 mini toggle switches. One allows sound from both necks to come through at the same time, one seems like a phase switch but has a negligible effect on the tone, and the third one seems like it's not working as intended (we think it was originally supposed to turn off a tone cap, but it currently defeats the bridge position.) \u003c\/p\u003e\n\u003cp\u003eOutside of those switches, everything looks original! The necks both have working truss rods, but they're a little hard to adjust--no easy access here. The bass neck is bolted and glued in, while the guitar neck is just bolted on. There is some material removed from underneath the neck pickup on the guitar neck, too. This odd arrangement leads us to believe it underwent some post-factory work. \u003c\/p\u003e\n\u003cdiv\u003eAll in all, this is a super clean, unique piece guaranteed to make your fellow guitar players green with jealous rage when you pull it out! It comes with its original hardshell case, too!\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Used","offers":[{"title":"Default Title","offer_id":54050614477075,"sku":"WWCONRKRJ5897","price":20999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0799\/5824\/5651\/files\/wwconrkrj5897_lg1.jpg?v=1776482350"}],"url":"https:\/\/wildwoodguitars.com\/collections\/featured-guitars.oembed","provider":"Wildwood Guitars","version":"1.0","type":"link"}